point101 hahnemuhle giclee print

Interview with Ryadraws

Ryadraws is a London based digital artist, currently exhibiting at Rivington Studios as part of The Anti Trump Art Show. 

 

Tell us about your upcoming exhibition as part of Creative Debuts Anti Trump art show

The exhibition will focus on our depictions of America’s celebrity in chief, Trump!  

There was an open call put out a couple of months ago, and I was one of the artists selected to exhibit on the 12th of July.

 

How strongly do you feel about social art as a young practicing artist?

Day by day we are continually being presented with distractions, and we forget what is going on around us. The issues that deserve our attention. Social art is a way for us to be informed by pretty pictures.

 

Where do you envision your work belonging? 

Magazines but mainly in galleries. We have gotten to a point where digital art is becoming more widely accepted and galleries treat digital art like you would any traditional painting.

 

How would you describe your techniques?

I replicate my traditional drawing process but in a digital space. Most of my work will start off with a pencil sketch on paper, and then I will scan the image in and render digitally.

I layer my images metaphorically, and bury meaning within to be discovered, and when possible add an Adrinka symbol if it matches the artwork.

The Adrinka’s are Ghanaian symbols of the Ashanti that represent thoughts and I use them in my work to further explain my ideas.  

 

Would you call yourself more of a traditional artist?

No, a lot of my work is digital, and there is no physical output until printed. Digital art has made my process more straightforward, I don’t have to think about being extra careful while drawing to make sure I don’t smudge the page etc.

Painting and sculptures are on my radar to explore, and I do write from time to time - I doubt I will ever share them though.

 

 point101 hahnemuhle giclee print

What type of paper do you think works best with your printed artwork?

Hahnemuhle German Etching is literally the only thing I print on and gives me the desired visual. I can’t get enough of the grain and paper texture.

 

When you aren’t producing art, what do you like to do?

Sleeping, watching TV shows and I play games from time to time. I’m currently playing Zelda: Breathe of the wild. I set myself a project often just so I don’t get burnt out from drawing. At the moment, I’m teaching myself UI/UX and animation.

The usual stuff, reading and hanging out with friends.

 

Is there anything that particularly influences your projects or inspires you? 

Everything around me. Unfortunately, a lot of what fuels my practise tends to be the negatives. I’ll flip it and show my outlook on the topic.

 

Any more exciting projects on the horizon?

I will be illustrating a children’s book focusing on Ghanaian lore. Also on the horizon is a billboard illustration which will be a painting focusing on social commentary. I have a few ideas floating around on what I’m going to paint.

 

 

Ryadraws and The Anti Trump Art Show

  The Anti Trump Art Show promotion with Ryadraws' artwork

The Anti Trump Art Show promotion with Ryadraws' artwork

 

"In response to Donald’s Trump’s planned visit to London on 13th July, Creative Debuts have joined forces with over 50 artists to show their collective disdain of the, ‘dangerous racism, sexism and narcissism that flow daily from the White House,’ through a unique art exhibition.
The exhibition celebrates a specially curated range of contemporary artwork including photography, sculpture, craft, fine art, and film whilst raising money for End Violence Against Women"-Creative Debuts 2018
 
 

See more of Ryadraws' work here.

Check out Creative Debuts.

How much better than a sip of wine from a manky cup that half the church have had a go at and a wafer that sticks to the roof of your mouth?

Every Sunday service should involve a chocolate fountain. It would improve visitor numbers no end.

This week's Photo of the Week comes from Caravan Gallery a collaboration between artists and photographers Jan Williams and Chris Teasdale that seeks "to document the reality and surreality of the way we live today" and indeed they do. From "Mr Cheap" pound shops to dilapidated seaside resorts, urban graffiti and suburban decorative aspiration - Caravan Gallery seem to capture the very best and worst of the UK in glorious postcardian technicolor.

The photography duo, who exhibit their work in their very own dedicated caravan gallery space are currently in the midst of a UK-wide tour and the roaming exhibition, extra{ordinary}:Photographs of Britain by The Caravan Gallery, has been travelling to locations all over Britain since March 2015. You can catch the current leg of the tour at Impressions Gallery, Bradford (until 29th August) before it moves on to Diffusion Festival 2015 at Ffotogallery, Cardiff, in October. Expect to see more of their work on the Point 102 blog over the coming year.

 Chocolate Fountain in former church, Derby. The Caravan Gallery

Chocolate Fountain in former church, Derby. The Caravan Gallery

Posted
AuthorSacha Waldron

Anna Clawson & Nicole Ward's new exhibition, Overdubbed Scenes opened on Friday at CRATE in Margate. The exhibition is the fifth in a series of week long shows in which CRATE have asked artists to respond to the very particular and miniature exhibition space of the Davis Lisboa Mini Museum of Contemporary Art, Barcelona, which is currently in residence at CRATE for six week. The Davis Museum was created in 2009 by Brazilian artist, Davis Lisboa, as an attempt to provide an alternative environment and structure for artists to exhibit within, an approx 8” by 8” by 8” clear acrylic box as opposed to the monolithic institutions that our art world and market holds as the goal for artists - MOMA, Guggenheim, Tate. The Davis Museum also provides an alternative currency for the exchange of commissions and artworks made for its institution with artworks often donated to the Museum after their exhibition and held in the permanent collection in Barcelona to be take out as and when needed in the various solo and group projects the Museum is invited to participate in. The artworks take the duel role of having the scale and portability of an edition whilst retaining the form of an individual artwork

The current Museum installation in Margate of the Davis Museum consists of the 'museum' box which sits atop a white plinth, a flag which states the Museum's goal as an 'island of resistance' to the 'tsunami' of the art market (laid out like a facebook page and status update which alludes to the Museum's origins as a non-physical space), an ipad which displays a looped history of the Davis Museum's exhibitions and a poster. Each artist that has been invited to respond to the Museum in Margate was asked to use the components of the Museum as they saw fit. The exhibitions so far at the Museum at CRATE have included a small paper model by Canadian artist Bill Burns, a television and shirt owned by Andy Warhol, Romanian artist Betts Robinson and an installation based on the subterranean sites of Margate by Bridgette Ashton.

Working mainly with print, sculpure and photography in their practice, Clawson & Ward have chosen to create new work in response to the Davis Museum's format of display in an installation they call Overdubbed Scenes which hints at the malleable nature of museum collections. This malleability refers to the continuous re-contextualisation of an exhibit or archive. During this translation, the archive’s content is susceptible to a range of influences including; public opinion, capital and changes to the political landscape. The miniature sculptural work that the artists produced takes the form of cut-outs based on architectural forms. Applying the methods used to re-animate and promote a collection by using small plastic suction cups to attach the printed sculptural work to the Davis Museum, Clawson & Ward refer to low-fi products produced solely for disposable merchandising. Using the Davis Museum ipad and incorporating the crop editing tool, the artists use a single photographic snapshot, one of women in red outside the Soviet Commissioned Ninth Fort Memorial to the Holocaust in Kaunas, Lithuania, to provide the backdrop to the exhibition. The women, some in hotpants, were captured on a photo shoot during the artists visit to the memorial site. The incongruous nature of their usage of the memorial site as a fashion location as opposed to a site of reflection or remembrance, make the lack of context to the photograph even more startling. The true meaning, like a lot of Clawson & Ward's work is buried underneath layers of complexity and abstraction and must be carefully unpicked. 

The next and last exhibition at the Davis Museum/CRATE will be a video and model installation by Benedict Drew called The Concha Institute. The work tells the, often trippy and dream-like story, of a man who has nasal trouble only to find out he has a museum of contemporary sculpture stuck up his nose.

Overdubbed Scenes by Anna Clawson& Nicole Ward runs until October 4 2013. The Concha Institute by Benedict Drew opens on October 4th and runs until October 12th 2013.

www.clawsonandward.co.uk

www.cratespace.moonfruit.com

www.davismuseum.com

Posted
AuthorSacha Waldron